Colin Langridge
Artist
  • Home
  • Projects
    • 2021 >
      • SAC Commission
    • 2020 >
      • Something Else
    • 2018 >
      • Static
    • 2017 >
      • Rehearsing Doubt II
    • 2015 >
      • For the slow loadening
    • 2014 >
      • Others - Devonport Regional Gallery
    • 2013 >
      • Augmentor (with Lucy Bleach) - Outward Project Space Launceston
      • City of Hobart Art Prize
    • 2012 >
      • Sculpture Now - Colville Gallery (Ben Booth, Fred Fisher, Colin Langridge, Anne Mestitz)
    • 2011 >
      • City of Hobart Art Prize - Paper and Wood
      • Design Biennale
      • Faraway Neighbor - Flux Factory New York
    • 2010 >
      • Installs - Carnegie Gallery (Anthony Johnson, Colin Langridge, Penny Malone)
      • Green - Plimsoll Gallery ( Lucy Bleach, Semiconductor (Ruth Jarman+Joe Gerhardt), Rebecca Stevens, Richard Wastell, Colin Langridge, David Haines, Richard Giblett and Roman Signer - Curated by Geoff Parr in collaboration with Lucy Bleach and Rebecca Steve
      • Agency - Colville Gallery
    • 2009 >
      • The Wentworth Project, Palimpsest 7, Mildura
  • CV
  • Colville Gallery
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Others - Devonport Regional Gallery

PictureNot Knowing II, 2014, polyurethane glue, rubber, polystyrene (EPS), H 50 W 75 D 75 Image: David Martin

Colin Langridge is the recipient of the Devonport
Regional Gallery’s 2014 Solo Commission.
The program provides early-to mid-career artists
the opportunity to create new work based on
experimentation and a solid conceptual grounding.
Langridge has produced a series of sculptural works
that focus on refined processes in steam bending and
coopered joinery.
The project has taken Langridge 12 months to complete
and showcases sculptural objects that have been
painstakingly crafted in wood and polystyrene. The
works are a continuation of Langridge’s investigation
into ontology and the relationship between knowledge
and indeterminacy. The Devonport Regional Gallery
is proud to present this ambitious project, which
highlights a calibre of excellence in conceptual thinking
and technique.

All images: copyright David Martin

 

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Picture
Persistent patch of shadow, 2014, poplar, polyurethane glue, varnish, enamel paint, H 90 W 90 D 33 Image: David Martin
Deep impulse, 2013, celery top pine, polyurethane glue, varnish, enamel paint, H 168 W 62 D 50 Image: David Martin
Unshakeable doubt, 2013, celery top pine, polyurethane glue, varnish, enamel paint, H 154 W 90 D 35 Image: David Martin
Picture
The rest vanishes into oblivion, 2014, polystyrene (EPS), polyurethane glue, H 70 W 160 D 160 Image: David Martin
Picture
Unbound glance, 2014, polystyrene (EPS), polyurethane glue, EPDM rubber, recycled rubber crumb, H 70 W 130 D 130 (black), H 70 W 130 D 130 (grey), H 70 W 115 D 115 (orange). (Three objects make up this installation/artwork) Image: David Martin
Picture
Not Knowing I, 2014, poplar, polyurethane glue, varnish, enamel paint, H 30 W 55 D 55 Image: David Martin
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